By The Encounter Iced Sound Pavilion, crafted by the collaborative efforts of Zürich-Rotterdam-based architecture practice rotative studio, stands as a testament to the fusion of architecture and music. Commissioned by composer and musician Ramon Landolt, the pavilion serves as a public space installation for his project ‘Iced Sound’, exploring the auditory landscape of glaciers through music composition.
A Dialogue Between Glacier and City
Embedded within the pavilion’s facade, the sound installation acts as a conduit for the glacier’s voice, engaging with visitors amidst the bustling urban soundscape. Inspired by the theme of transformation inherent in Landolt’s project, the architects sought to convey the imperceptible yet profound changes occurring in our environment.
Visualizing the Unseen
The spatial design of the pavilion serves to manifest the unseen narrative of our changing landscapes, inviting contemplation on the impact of human actions on fragile ecosystems. Through subjective acoustics and visual elements, the pavilion becomes a sonic exploration of the climate crisis, embodying the tension between nature and human intervention.
Accessible Engagement
Installed at Schiffbauplatz for three weeks, the pavilion provides a platform for public engagement with the sounds of glaciers, allowing individuals to reflect at their own pace. Amidst the urban setting, visitors are transported to remote alpine environments, fostering a deeper understanding of the interconnectedness of natural and urban realms.
Continuity in Collaboration
The Encounter Iced Sound Pavilion marks a continuation of the collaborative efforts between rotative studio and Landolt, building upon their previous explorations. Through live performances organized by Landolt, the pavilion becomes a stage for musicians to interpret compositions inspired by glaciers, bridging the gap between art, nature, and urban life.
